Skip to main content

Understanding Agatha Christie: Index

Understanding Agatha Christie
Index
  • Show the following:

    Annotations
    Resources
  • Adjust appearance:

    Font
    Font style
    Color Scheme
    Light
    Dark
    Annotation contrast
    Low
    High
    Margins
  • Search within:
    • Notifications
    • Privacy
  • Project HomeUnderstanding Agatha Christie
  • Projects
  • Learn more about Manifold

Notes

table of contents
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Contents
  6. List of Illustrations
  7. Series Editor’s Preface
  8. The Mystery of Agatha Christie’s Titles
  9. One: Understanding Agatha Christie
  10. Two: Agatha Christie’s Life and Puzzling Persona
  11. Three: The Scofflaw of the Golden Age of Detective Fiction
  12. Four: The Hardboiled Queen of the Cozies
  13. Five: The Poet of Genre Fiction
  14. Six: The Tragicomic Themes of Christie’s Murders
    1. The Comedy of Christie’s Murders
    2. Christie’s Tragedies
  15. Seven: The Queer Insularity of Christie’s England
  16. Eight: Christie’s Murders at the Movies . . . and Why She Disliked Them
    1. Barry Sandler’s Camp Adaptation of The Mirror Crack’d
  17. Conclusion
  18. Notes
  19. Bibliography
  20. Index

Page 139 →Index

  • Agatha Christie’s Marple (television series), 103, 104
  • Agatha Christie’s Poirot (television series), 103, 104
  • Alibi (1931 film), 101
  • Allingham, Margery, 27
  • Biggers, Earl Derr, 27, 123n17
  • Borden, Lizzie, 43–44
  • Branagh, Kenneth, 103
  • Bravo, Charles, 44, 124n14
  • Brown, Charles Brockden, 34
  • Cain, James M., 47–48
  • camp and camp humor, 106–16
  • camp classics, 115–16
  • Captain Arthur Hastings, 11, 24–25, 32, 33, 63, 84, 91–92
  • Carr, John Dickson, 26, 27, 31, 33
  • Chandler, Raymond, 2, 36, 38, 40, 55
  • Chesterton, G. K., 23, 27, 28, 30
  • Christie, Agatha
    • and Ariadne Oliver as alter-ego, 20, 33, 58, 63, 85–86, 91–92, 100, 119
    • biography of, 8–17
    • characters of, 55–69
    • and comic traditions, 69–76
    • conservatism of, 81–83
    • and the “cozy” versus “hardboiled” distinction, 36–48
    • death of, 17
    • disappearance of, 12–13
    • Doyle, Arthur Conan, debts to, 23–25
    • education of, 9
    • “Englishness” of, 18–19
  • and English insularity, depiction of, 83–87
  • as fictional character, 105
  • and film adaptations, her opinion of, 100–101
  • and imperialism, depictions of, 86–87
  • literary reputation of, 2–3
  • as Mary Westmacott, 5, 12, 14–15, 64–67
    • Absent in the Spring, 5, 15, 65–66
    • Burden, The, 5, 62–63, 65–66
    • Daughter’s a Daughter, A, 5, 65–66
    • Giant’s Bread, 5, 12, 20, 65
    • Rose and the Yew Tree, The, 5, 58, 64, 65–66, 74, 76
    • Unfinished Portrait, 5, 14, 52, 65–66
  • melodramatic elements in fiction of, 26
  • memoir of: Come, Tell Me How You Live, 19, 60
  • and modernism, 63–65
  • musical interests of, 10
  • and narrative structure, 61–63
  • nursery rhyme allusions of, 42
  • persona of, 17–19
  • as playwright, 16
    • Akhnaton, 50
    • And Then There Were None, 15, 32, 69, 100, 109
    • Appointment with Death, 15, 62, 69, 100, 103
    • Black Coffee, 14, 102; Go Back for
    • Murder, 26, 32, 100
    • Hidden Horizon (also produced as Murder on the Nile), 15, 69, 100
    • Hollow, The (also produced as The Suspects), 16, 71–72, 100
    • Page 140 →Mousetrap, The, 16
    • Spider’s Web, 16, 72, 85, 98, 102
    • Towards Zero, 3, 15, 32, 47, 59, 69, 100
    • Unexpected Guest, The, 16, 26, 85, 98
    • Verdict, 16, 41
    • Witness for the Prosecution, 16, 100
  • poetry of, 10–11, 50–42
    • Road of Dreams, The, 12, 50
  • possible Alzheimer’s diagnosis of, 17
  • and psychology, interest in, 45–46
  • and queer depictions in the fiction of, 91–97
  • and racist depictions in the fiction of, 87–89
  • and the “rules” of detection fiction, 29–35
  • and settings, 60–61
  • and tragic traditions, 76–80
  • and true crime, engagements with, 42–45
  • novels and short-story collections of,
    • 4.50 from Paddington / What Mrs. McGillicuddy Saw!, 16, 71–72, 82, 86, 102
    • ABC Murders, The / The Alphabet Murders, 1, 3, 42, 91–92, 103
    • After the Funeral / Funerals Are Fatal, 44, 46, 85, 88, 102
    • And Then There Were None / Ten
    • Little Indians / Ten Little N-----, 1, 14–15, 41, 42, 88, 95, 102, 103, 116, 122n7
    • Appointment with Death, 1–2, 3, 14, 15, 41, 68, 82, 84
    • At Bertram’s Hotel, 32, 38, 54, 57, 60, 72, 74, 85, 95–96
    • Big Four, The, 2
    • Body in the Library, The, 21, 43, 72–73, 80
    • By the Pricking of My Thumbs, 41, 47
    • Cards on the Table, 20, 24, 56, 63, 85, 87, 89
    • Caribbean Mystery, A, 16, 17, 45, 57, 102
    • Cat among the Pigeons, 16, 27–28, 42–43, 46, 57, 73, 80, 84, 89, 95
    • Clocks, The, 6, 24–26, 39, 41, 44, 66, 86, 119
    • Crooked House, 2, 15, 24, 42–44, 82, 85
    • Curtain, 15, 17, 33, 47, 63, 77, 92
    • Dead Man’s Folly, 20, 56, 79, 84, 86, 90, 104
    • Death Comes as the End, 41, 54, 60, 66
    • Death in the Clouds / Death in the
    • Air, 24, 33, 38, 53, 61, 84, 87
    • Death on the Nile, 1, 3, 14, 38, 53, 56, 68, 72–73, 77–78, 80, 84
    • Destination Unknown / So Many
    • Steps to Death, 21, 58–59
    • Double Sin, 41, 64, 76, 92, 95
    • Dumb Witness / Poirot Loses a
    • Client, 25, 32, 33, 84, 88, 118, 124n13
    • Easy to Kill, 46, 54, 73, 94–95
    • Elephants Can Remember, 17, 32, 43, 78, 96, 124n14
    • Endless Night, 2, 3, 5, 16, 32, 79, 80, 82
    • Evil under the Sun, 21, 53–54, 109–10, 102
    • Five Little Pigs / Murder in Retrospect, 15, 26, 34, 42–43, 76, 78, 100
    • Hallowe’en Party, 41, 57, 74, 79, 92
    • Hercule Poirot’s Christmas / Murder for Christmas / A Holiday for Murder, 32, 33–34, 41, 53, 79, 89
    • Hickory Dickory Dock / Hickory Dickory Death, 42, 57, 60, 74, 88–89, 91
    • Hollow, The / Murder after Hours, 2, 15, 64, 68–71, 80, 83, 94
    • Labors of Hercules, The, 43, 54, 69, 91, 98
    • Listerdale Mystery, The, 14
    • Page 141 →Lord Edgware Dies / Thirteen at Dinner, 33, 40, 47, 53, 104
    • Man in the Brown Suit, The, 11, 12, 56, 66, 97–98
    • Mirror Crack’d from Side to Side, The / The Mirror Crack’d, 102, 108
    • Moving Finger, The / The Case of the
    • Moving Finger, 2, 15, 35, 43, 54–55, 56, 74–75, 95
    • Mrs. McGinty’s Dead, 24, 33, 39, 42, 44, 45, 54, 69, 92, 100, 102
    • Murder at the Vicarage, The, 14, 25, 32–33, 71, 80, 93
    • Murder in Mesopotamia, 14, 20, 24, 33, 60, 87, 91, 109
    • Murder in the Mews / Dead Man’s Mirror, 33, 53, 91, 94
    • Murder Is Announced, A, 5, 32, 40, 93, 95
    • Murder of Roger Ackroyd, The, 1, 5, 12, 31–32, 101
    • Murder on the Links, 32, 45, 54, 92
    • Murder on the Orient Express /
    • Murder in the Calais Coach, 1, 14, 45, 47, 57, 83, 87, 91
    • Mysterious Affair at Styles, The, 1, 5, 11, 22, 38, 45, 91
    • Mysterious Mr. Quin, The, 5, 32, 97
    • Mystery of the Blue Train, The, 2, 37–38, 98
    • N or M?, 84
    • Nemesis, 17, 57, 74, 85, 93, 94. 96
    • One, Two, Buckle My Shoe / The Patriotic Murders, 42, 43, 84, 85, 91
    • Ordeal by Innocence, 16, 32, 43, 76–77, 80, 86, 89, 103, 124n14
    • Pale Horse, The, 2, 16, 32, 41, 43, 58, 86, 100, 103, 118
    • Parke Pyne Investigates / Mr. Parker Pyne, Detective, 14, 37, 47, 53, 87–88
    • Partners in Crime, 98
    • Passenger to Frankfurt, 2, 86–87, 88, 97
    • Peril at End House, 10, 53
    • Pocket Full of Rye, A, 42
    • Poirot Investigates, 12
    • Poirot’s Early Cases, 17
    • Postern of Fate, 2, 17
    • Regatta Mystery and Other Stories, The, 24, 56, 57, 64, 74, 91, 124n13
    • Sad Cypress, 56, 57, 85
    • Secret Adversary, The, 11, 53, 66, 101
    • Secret of Chimneys, The, 12
    • Seven Dials Mystery, The, 12, 53
    • Sleeping Murder, 15, 17, 43, 46–47, 64, 80, 85
    • Snow upon the Desert (unpublished), 10, 70
    • Sparkling Cyanide / Remembered Death, 56, 75, 80, 83
    • Star over Bethlehem and Other Stories, A, 50, 82, 95–96
    • Taken at the Flood / There Is a Tide… , 54, 77, 82, 98
    • They Came to Baghdad, 15–16, 21, 61, 78
    • They Do It with Mirrors / Murder with Mirrors, 28, 56, 69, 86, 88, 96, 99
    • Third Girl, 16, 25, 38, 56
    • Three Act Tragedy / Murder in Three Acts, 14, 42, 47, 53, 92, 97, 104
    • Three Blind Mice / The Mousetrap, 16, 42, 43, 47, 57, 75, 84, 95, 97
    • Towards Zero, 59, 90
    • Under Dog, The, 28
    • Why Didn’t They Ask Evans? / The Boomerang Clue, 14, 54, 87
    • Witness for the Prosecution, 1, 15, 46, 69–70, 126n16
  • Christie, Archibald, 4, 10–14, 20, 105
  • Christie, Rosalind Margaret Clarissa, 11, 12, 14
  • Collins, Wilkie, 23, 25
  • cozy mysteries, 5, 36–48
  • Cream, Thomas Neill, 43
  • Crippen, Hawley Harvey, 42–43, 45, 47
  • Page 142 →Detection Club, 30–31
  • Dickens, Charles, 63
  • Doyle, Arthur Conan, 23–25
  • Dumas, Alexandre, 63–64
  • “fair play rule,” 31
  • Forster, E. M., 58, 107
  • Freeman, R.
  • Austin, 23, 29, 62, 90
  • Freud, Sigmund, 46
  • Freytag, Gustav, 63
  • Gaboriau, Emile, 23, 26
  • Gardner, Erle Stanley, 27
  • Godwin, William, 34
  • Golden Age of Detective Fiction, 4, 5, 22–35, 56, 119
  • Green, Anna Katharine, 7, 23, 25–26, 59
  • Hales, Jonathan, 109
  • Hamilton, Guy, 106
  • Hammett, Dashiell, 36, 38, 40
  • hardboiled mysteries, 5, 36, 38–48, 55
  • Hercule Poirot, 11
    • bachelorhood of, 32, 38
    • Christie’s fatigue with, 20
    • and clichés, 54
    • film and television portrayals of, 102–3
    • inspiration for, 23–24
    • as literary critic, 25–26, 77
    • on misdirection, 28
    • narrative function of, 56–57
    • as queer foil of English insularity, 90–92
    • on tragedy, 76
  • Hickson, Joan, 103–4
  • Jack the Ripper, 42
  • James, P. D., 2, 90
  • Jane Marple, Miss on coincidences, 33
    • and the death penalty, 82
    • film and television portrayals of, 102–4
    • first appearance of, 14, 25
    • on gender and sexuality, 94–95
    • on hard-boiled fiction, 40
    • inspiration for, 23–24
    • respect for decorum, 71
    • on misdirection, 28
    • on the modern world and modern art, 64–65, 85–86
    • narrative function of, 56–57
    • as queer foil of English insularity, 90–94
    • respect for decorum, 71, 73–74
    • as spinster, 32
    • on solutions of mysteries, 32–33
  • Kent, Constance, 43–44
  • Knox, Ronald A., 27, 29–34, I23ni7
  • Lansbury, Angela, 102, 104, 106, 107, 115
  • Laughton, Charles, 101, 104
  • Leblanc, Maurice, 23, 25
  • Leroux, Gaston, 23, 26
  • Lindbergh, Charles, 45
  • literary fiction vs. genre fiction, 5–6, 30, 49–52, 55, 58, 61–66
  • locked-room mysteries, 23, 27, 31, 33–34
  • Lumet, Sidney, 7, 102, 104, 117
  • Mallowan, Max, 4, 14–17, 20, 118
  • Marsh, Ngaio, 27, 90
  • McEwan, Geraldine, 103–4
  • McKenzie, Julia, 103–4
  • Miller, Clara Margaret Boehmer, 8–9, 12
  • Miller, Frederick Alvah, 8–9
  • Miller, Louis Montant (“Monty”), 8–10 Miller,
  • Margaret Frary (“Madge”), 8–9, 11–12
  • Mirror Crack’d, The (1980 film), 7, 102, 105–16
  • Mosley, Walter, 38
  • Murder on the Orient Express (1974 film), 7, 102–4, 106, 117
  • Nabokov, Vladimir, 2
  • Neele, Nancy, 12–13, 20, 105
  • Page 143 →Orwell, George, 120
  • Paretsky, Sara, 38
  • Phelps, Sarah, 103, 117
  • Phillpotts, Eden, 10
  • pleasure (literary), 119–20
  • Poe, Edgar Allen, 7, 22–23, 25–26
  • Prichard, Mathew, 16, 18
  • Queen, Ellery, 27, 31–32
  • queerness and queer themes, 6, 81–82, 90–99, 106–8, 116
  • Randall, Tony, 102
  • Rendell, Ruth, 2
  • Rohmer, Sax, 123n17
  • Rutherford, Margaret, 102, 104
  • Sandler, Barry, 7, 106–16
  • Sayers, Dorothy, 3, 27, 49
  • Shaffer, Anthony, 104
  • Shakespeare, William, 2, 3, 51, 71, 76–80
  • Sherlock Holmes, 23–25, 39, 47, 105, 110, 122n4
  • Spillane, Mickey, 38
  • Suchet, David, 103–4
  • Symons, Julian, 2–3, 55–56
  • Taylor, Elizabeth, 106, 110–16
  • Thackery, William Makepeace, 125n23
  • Thompson, Edith, 43–44
  • Tommy and Tuppence Beresford, 11, 17, 53, 66
  • Updike, John, 7
  • Ustinov, Peter, 102–4
  • Van Dine, S. S., 30–33
  • Watts, James, 9, 12, 41
  • Wilde, Oscar, 71–72, 91
  • Wilder, Billy, 7, 102, 104, 117
  • Wilson, Edmund, 29
  • Witness for the Prosecution (1957 film), 7, 102, 104, 117
  • Woolf, Virginia, 45, 64
  • World War I, 9–11
  • World War II, 15, 83

Annotate

Next Chapter
Publisher
PreviousNext
© 2023 University of South Carolina
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org