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Understanding Agatha Christie: Copyright Page

Understanding Agatha Christie
Copyright Page
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Notes

table of contents
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Contents
  6. List of Illustrations
  7. Series Editor’s Preface
  8. The Mystery of Agatha Christie’s Titles
  9. One: Understanding Agatha Christie
  10. Two: Agatha Christie’s Life and Puzzling Persona
  11. Three: The Scofflaw of the Golden Age of Detective Fiction
  12. Four: The Hardboiled Queen of the Cozies
  13. Five: The Poet of Genre Fiction
  14. Six: The Tragicomic Themes of Christie’s Murders
    1. The Comedy of Christie’s Murders
    2. Christie’s Tragedies
  15. Seven: The Queer Insularity of Christie’s England
  16. Eight: Christie’s Murders at the Movies . . . and Why She Disliked Them
    1. Barry Sandler’s Camp Adaptation of The Mirror Crack’d
  17. Conclusion
  18. Notes
  19. Bibliography
  20. Index

Page iv →© 2023 University of South Carolina

The text of this book is licensed under a Creative Commons Attribution

Non-Commercial No Derivatives 4.0. International (CC BY-NC-ND 4.0)

license: https://creativecommons.org/licenses/by-nc-nd/4.o/

Published by the University of South Carolina Press

Columbia, South Carolina 29208

uscpress.com

Library of Congress Cataloging-in-Publication Data

can be found at http://catalog.loc.gov/.

ISBN: 978-1-64336-440-7 (hardcover)

ISBN: 978-1-64336-441-4 (paperback)

ISBN: 978-1-64336-442-1 (ebook)

DOI: https://doi.org/10.61162/9781643364421

This book will be made open access within three years of publication thanks to Path to Open, a program developed in partnership between JSTOR, the American Council of Learned Societies (ACLS), University of Michigan Press, and The University of North Carolina Press to bring about equitable access and impact for the entire scholarly community, including authors, researchers, libraries, and university presses around the world. Learn more at https://about.jstor.org/path-to-open/

The inclusion of this book in the Open Carolina collection is made possible by the generous funding of the University of South Carolina Libraries.

Portions of chapter 8 were previously published as “Queering Dame Agatha Christie: Barry Sandler’s Camp Adaptation of The Mirror Crack’d (1980),” in Queer/Adaptation: A Collection of Critical Essays, edited by Pamela Demory (Palgrave Macmillan, 2019, 33–47).

Cover photograph: © National Portrait Gallery, London

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