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Understanding Don DeLillo: Bibliography

Understanding Don DeLillo
Bibliography
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table of contents
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Contents
  5. Series Editor’s Preface
  6. Preface
  7. Acknowledgments
  8. Chapter 1: Understanding Don DeLillo
  9. Chapter 2: Jargon and Genre: Americana, End Zone, and Great Jones Street
  10. Chapter 3: Opacity and Transparency: White Noise and Mao II
  11. Chapter 4: Artists and Prophets: The Body Artist, Cosmopolis, and Falling Man
  12. Chapter 5: With, to, and against the Novel: The Short Stories
  13. Notes
  14. Bibliography
  15. Index
  16. About the Author

Page 133 →Bibliography

Primary Works

Novels

U.S. Editions

  • Americana. Boston: Houghton Mifflin, 1971.
  • End Zone. Boston: Houghton Mifflin, 1972.
  • Great Jones Street. Boston: Houghton Mifflin, 1973.
  • Ratner’s Star. New York: Knopf, 1976.
  • Players. New York: Knopf, 1977.
  • Running Dog. New York: Knopf, 1978.
  • The Names. New York: Knopf, 1982.
  • White Noise. New York: Viking, 1985.
  • Libra. New York: Viking, 1988.
  • Mao II. New York: Viking, 1991.
  • Underworld. New York: Scribner, 1997.
  • The Body Artist. New York: Scribner, 2001.
  • Pafko at the Wall. New York: Scribner, 2001.
  • Cosmopolis. New York: Scribner, 2003.
  • Falling Man. New York: Scribner, 2007.
  • Point Omega. New York: Scribner, 2010.

U.K. Editions

  • Americana. Harmondsworth: Penguin, 1971.
  • End Zone. Harmondsworth: Penguin, 1972.
  • Great Jones Street. London: Picador, 1998
  • Ratner’s Star. London: Vintage, 1991.
  • Players. London: Vintage, 1991.
  • Running Dog. London: Picador, 1999.
  • The Names. London: Picador, 1999.
  • White Noise. London: Picador, 1999.
  • Libra. Harmondsworth: Penguin, 1989.
  • Mao II. London: Vintage, 1992.
  • Underworld. London: Picador, 1999.
  • The Body Artist. London: Picador, 2000.
  • Page 134 →Cosmopolis. London: Picador, 2003.
  • Falling Man. London: Picador, 2007.
  • Point Omega. London: Picador, 2010.

Major Plays

U.S. Editions

  • The Day Room. New York: Knopf, 1987.
  • Valparaiso. New York: Scribner, 1999.
  • Love-Lies-Bleeding. New York: Scribner, 2005.

U.K. Editions

  • The Day Room. London: Picador, 1999.
  • Valparaiso. London: Picador, 2004.
  • Love-Lies-Bleeding. London: Picador, 2006.

Screenplay

  • Game 6. Directed by Michael Hoffman. Santa Monica, CA.: Serenade Films, 2005.

Collected Short Fiction

  • The Angel Esmeralda. New York: Scribner, 2012; London: Picador, 2012.

Uncollected Short Fiction

  • “The River Jordan.” Epoch 10.2 (1960): 105–20.
  • “Take the ‘A’ Train.” Epoch 12.1 (1962): 9–25.
  • “Spaghetti and Meatballs.” Epoch 14.3 (1965): 244–50.
  • “Coming Sun. Mon. Tues.” Kenyon Review 28.3 (1966): 391–94.
  • “Baghdad Towers West.” Epoch 17 (1968): 195–217.
  • “The Uniforms.” Carolina Quarterly 22.1 (1970): 4–11.
  • “In the Men’s Room of the Sixteenth Century.” Esquire, December 1971, 174–77, 243, 246.

Essays

  • “Towards a Definitive Meditation (By Someone Else) on the Novel Americana.” Epoch 21.3 (1972): 327–29.
  • “Notes on ‘The Uniforms.’” In Cutting Edges: Young American Fiction for the ’70’s, edited by Jack Hicks, 532–33. New York: Holt, Rinehart, and Winston, 1973.
  • “American Blood: A Journey through the Labyrinth of Dallas and JFK.” Rolling Stone, December 8, 1983, 21–28, 74.
  • “Silhouette City: Hitler, Manson and the Millennium.” Dimensions: A Journal of Holocaust Studies 4.3 (1988): 29–34.
  • Salman Rushdie Defense Pamphlet, by Don DeLillo and Paul Auster. New York: Rushdie Defense Committee USA, February 14, 1994.
  • “The Artist Naked in a Cage.” New Yorker, May 26, 1997, 6–7.
  • “The Power of History.” New York Times Magazine, September 7, 1997, 60–63.
  • “In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September.” Harper’s, December 2001, 33–40.
  • “Letter.” In White Noise, translated by Zhu Ye, 3–4. Beijing: Yilin Press, 2002.

Page 135 →Personal Papers

  • DeLillo, Don. Papers. The Henry Ransom Humanities Research Center. The University of Texas at Austin.

Interviews and Profiles

  • Arensberg, Ann. “Seven Seconds.” In Conversations with Don DeLillo, edited by Thomas DiPietro, 40–46. Jackson, Miss.: University Press of Mississippi, 2005.
  • Bartholomew, Rafe. “Director’s Cut: Q&A with Don DeLillo.” Grantland.com, October 3, 2011. Accessed April 29, 2013. http://www.grantland.com/story/_/id/7032210/qa-don-delillo.
  • Begley, Adam. “The Art of Fiction CXXXV: Don DeLillo.” In Conversations with Don DeLillo, edited by Thomas DiPietro, 86–108. Jackson, Miss.: University Press of Mississippi, 2005.
  • Burn, Gordon. “Wired Up and Whacked Out.” (London) Sunday Times, August 25, 1991, 36–38.
  • Connolly, Kevin. “An Interview with Don DeLillo.” In Conversations with Don DeLillo, edited by Thomas DiPietro, 25–39. Jackson, Miss: University Press of Mississippi, 2005.
  • DeCurtis, Anthony. “An Outsider in this Society.” In Conversations with Don DeLillo, edited by Thomas DiPietro, 52–74. Jackson, Miss: University Press of Mississippi, 2005.
  • DiPietro, Thomas, ed. Conversations with Don DeLillo. Literary Conversations Series. Jackson: University Press of Mississippi, 2005.
  • Farkas, Allessandra. “DeLillo: Il lato oscuro dello Yankee.” Il Corriere della Sera, May 13, 2002.
  • Gardner, Ralph, Jr. “Writing that Can Strengthen the Fraying Threads of Memory.” New York Times, January 30, 1997.
  • Heron, Kim. “Haunted by His Book.” New York Times Book Review, July 24, 1988, 23.
  • James, Caryn. “I Never Set Out to Write an Apocalyptic Novel.” New York Times Book Review, January 13, 1985, 31.
  • Kamp, David. “DeLillo’s Home Run.” Vanity Fair, September 1997, 202–4.
  • LeClair, Thomas. “An Interview with Don DeLillo.” In Conversations with Don DeLillo, edited by Thomas DiPietro, 3–15. Jackson, Miss.: University Press of Mississippi, 2005.
  • Nadotti, Maria. “An Interview with Don DeLillo.” In Conversations with Don DeLillo, edited by Thomas DiPietro, 109–18. Jackson, Miss.: University Press of Mississippi, 2005.
  • Pivano, Fernanda. “Don DeLillo a New York: 1987.” In Amici Scrittori: Quarant’ Anni di Incontri e Scoperte con gli Autori Americani, 108–20. Milan: A. Mondadori, 1995.

Secondary Works

Books

  • Arac, Jonathan. The Emergence of American Literary Narrative, 1820–1860. Cambridge, Mass.: Harvard University Press, 2005.
  • Page 136 →Bloom, Harold, ed. Don DeLillo’s White Noise. Bloom’s Modern Critical Interpretations. Broomall, Pa.: Chelsea House Publishers, 2003.
  • Boxall, Peter. Don DeLillo: The Possibility of Fiction. London: Routledge, 2006.
  • Camus, Albert. The Fall. Trans. Justin O’Brien. New York: Vintage Books: 1956.
  • Chodat, Robert. Worldly Acts and Sentient Things: The Persistence of Agency from Stein to DeLillo. Ithaca, N.Y.: Cornell University Press, 2008.
  • Cowart, David. Don DeLillo: The Physics of Language. Athens: University of Georgia Press, 2003.
  • Denning, Michael. Mechanic Accents: Dime Novels and Working-Class Culture in America. Rev. ed. New York: Verso, 1998.
  • Dewey, Joseph. Beyond Grief and Nothing: A Reading of Don DeLillo. Columbia: University of South Carolina Press, 2006.
  • Duvall, John N., ed. The Cambridge Companion to Don DeLillo. New York: Cambridge University Press, 2008.
  • ———. Don DeLillo’s Underworld: A Reader’s Guide. New York: Continuum, 2002.
  • Giaimo, Paul. Appreciating Don DeLillo: The Moral Force of a Writer’s Work. Santa Barbara, Calif.: Praeger, 2011.
  • Gardaphé, Fred L. Italian Signs, American Streets: The Evolution of Italian American Narrative. Durham, N.C.: Duke University Press, 1996.
  • Gates, Bill, with Collins Hemingway. Business @ the Speed of Thought: Using a Digital Nervous System. New York: Warner Books, 1999.
  • Hantke, Stephen. Conspiracy and Paranoia in Contemporary American Fiction: The Works of Don DeLillo and Joseph McElroy. Frankfurt: Peter Lang, 1994.
  • Kavadlo, Jesse. Don DeLillo: Balance at the Edge of Belief. New York: Peter Lang, 2004.
  • Keesey, Douglas. Don DeLillo. United States Authors Series. New York: Twayne, 1993.
  • Kessel, Tyler. Reading Landscape in American Literature: The Outsider in the Fiction of Don DeLillo. New York: Cambria Press, 2011.
  • Labrie, Ross. The Catholic Imagination in American Literature. Columbia: University of Missouri Press, 1997.
  • LeClair, Tom. In the Loop: Don DeLillo and the Systems Novel. Urbana: University of Illinois Press, 1987.
  • Lentricchia, Frank, ed. Introducing Don DeLillo. Durham, N.C.: Duke University Press, 1991. Reprint of special issue, South Atlantic Quarterly 89.2 (1990).
  • ———, ed. New Essays on White Noise. New York: Cambridge University Press, 1991.
  • Lukács, Georg. The Theory of the Novel: A Historico-Philosophical Essay on the Forms of Great Epic Literature. Translated by Anna Bostock. Cambridge, Mass.: MIT Press, 1971.
  • Martucci, Elise. The Environmental Unconscious in the Fiction of Don DeLillo. New York: Routledge, 2007.
  • McClure, John. Late Imperial Romance. London: Verso 1994.
  • ———. Partial Faiths: Postsecular Fiction in the Age of Pynchon and Morrison. Athens: University of Georgia Press, 2007.
  • Olster, Stacey, ed. Don DeLillo: Mao II, Underworld, Falling Man. Continuum Studies in Contemporary North American Fiction. New York: Continuum, 2011.
  • Orr, Leonard. Don Delillo’s White Noise: A Reader’s Guide. New York: Continuum, 2003.
  • Page 137 →Osteen, Mark, ed. White Noise: Text and Criticism. Viking Critical Library Series. New York: Viking, 1998.
  • ———. American Magic and Dread: Don DeLillo’s Dialogue with Culture. Philadelphia: University of Pennsylvania Press, 2000.
  • Said, Edward W. Joseph Conrad and the Fiction of Autobiography. Cambridge: Harvard University Press, 1966.
  • ———. On Late Style: Music and Literature against the Grain. New York: Pantheon Books, 2006.
  • Schuster, Marc. Don DeLillo, Jean Baudrillard, and the Consumer Conundrum. Youngstown, NY: Cambria Press, 2008.
  • Talese, Gay. Unto the Sons. New York: Knopf, 1992.
  • Weatherby, William J. Salman Rushdie: Sentenced to Death. New York: Carroll and Graff, 1990.
  • Weinstein, Arnold. Nobody’s Home: Speech, Self, and Place in American Fiction from Hawthorne to DeLillo. New York: Oxford University Press, 1993.

Book Sections

  • Aaron, Daniel. “How to Read Don DeLillo.” In Introducing Don DeLillo, edited by Frank Lentricchia, 67–82. Durham, N.C.: Duke University Press, 1991.
  • Apitzsch, Julia. “The Art of Terror—The Terror of Art: DeLillo’s Still Life of 9/11, Giorgio Morandi, Gerhard Richter, and Performance Art.” In Terrorism, Media and the Ethics of Fiction: Transatlantic Perspectives on Don DeLillo, edited by Peter Schneck and Phillipp Schweighauser, 93–108. New York: Continuum, 2010.
  • Barrett, Laura. “Mao II and Mixed Media.” In Don DeLillo: Mao II, Underworld, Falling Man, edited by Stacey Olster, 49–67. New York: Continuum, 2011.
  • ———. “Don DeLillo.” In The Cambridge Companion to American Fiction After 1945, edited by John N. Duvall, 244–55. New York: Cambridge University Press, 2012.
  • Bawer, Bruce. “Don DeLillo’s America.” In Don DeLillo, edited by Harold Bloom, 21–28. Philadelphia: Chelsea House, 2003.
  • Bizzini, Silvia Caporale. “Grieving and Memory in Don DeLillo’s Falling Man.” In Terrorism, Media and the Ethics of Fiction: Transatlantic Perspectives on Don DeLillo, edited by Peter Schneck and Phillipp Schweighauser, 40–50. New York: Continuum, 2010.
  • Brecht, Bertolt. “Life Story of the Boxer Samson Körner.” In Bertolt Brecht: Short Stories, 1921–1946, edited by John Willett and Ralph Mannheim, 207–24. New York: Methuen, 1983.
  • Brooker, Peter. “Meet Me in Tompkins Square: Jay McInerney’s Brightness Falls and Don DeLillo’s Mao II.” In New York Fictions: Modernity, Postmodernism, the New Modern, 219–40. New York: Longman, 1996.
  • Boxall, Peter. “DeLillo and Media Culture.” In The Cambridge Companion to Don DeLillo, edited by John N. Duvall, 43–52. New York: Cambridge University Press, 2008.
  • Coale, Samuel C. Paradigms of Paranoia: The Culture of Conspiracy in Contemporary American Fiction. Tuscaloosa: University of Alabama Press, 2005.
  • Cohen, Samuel S. “Don DeLillo and the Anticipation of Retrospection.” In After the End of History: American Fiction in the 1990s, 189–202. Iowa City: University of Iowa Press, 2009.
  • Page 138 →Conte, Joseph M. “Writing amid the Ruins: 9/11 and Cosmopolis.” In The Cambridge Companion to Don DeLillo, edited by John N. Duvall, 179–92. New York: Cambridge University Press, 2008.
  • Cowart, David. “DeLillo and the Power of Language.” In The Cambridge Companion to Don DeLillo, edited by John N. Duvall, 151–65. New York: Cambridge University Press, 2008.
  • DeCurtis, Anthony. “‘The Product’: Bucky Wunderlick, Rock ’n’ Roll, and Don DeLillo’s Great Jones Street.” In Introducing Don DeLillo, edited by Frank Lentricchia, 131–42. Durham, N.C.: Duke University Press, 1991.
  • DiPietro, Thomas. Introduction. Conversations with Don DeLillo, edited by Thomas DiPietro, vii–xii. Jackson, Miss: University Press of Mississippi, 2005.
  • Duvall, John N. “Excavating the Underworld of Race and Waste in Cold War History: Baseball, Aesthetics, and Ideology.” In Critical Essays on Don DeLillo, edited by Hugh Ruppersburg and Tim Engles, 259–81. New York: G. K. Hall, 2000.
  • ———. “Fiction and 9/11.” In The Cambridge Companion to American Fiction after 1945, edited by John N. Duvall, 181–92. New York: Cambridge University Press, 2012.
  • Eaton, Mark. “Inventing Hope: The Question of Belief in Don DeLillo’s Novels.” In The Gift of Story: Narrating Hope in a Postmodern World, edited by Mark Eaton, 31–49. Waco, Tex.: Baylor University Press, 2006.
  • Engles, Tim. “Who Are You, Literally?” In Critical Essays on Don DeLillo, edited by Hugh Ruppersburg and Tim Engles, 171–95. New York: G. K. Hall, 2000.
  • ———. “DeLillo and the Political Thriller.” In The Cambridge Companion to Don DeLillo, edited by John N. Duvall, 66–76. New York: Cambridge University Press, 2008.
  • Ferraro, Thomas J. “Whole Families Shopping at Night!” In New Essays on White Noise, edited by Frank Lentricchia, 15–38. Durham: Duke University Press, 1991.
  • Goodheart, Eugene. “Don DeLillo and the Cinematic Real.” In Introducing Don DeLillo, edited by Frank Lentricchia, 117–30. Durham, N.C.: Duke University Press, 1991.
  • Green-Lewis, Jennifer, and Margaret Soltan. “Beauty after 9/11: Don DeLillo in New York.” In Teaching Beauty in DeLillo, Woolf, and Merrill, 113–28. New York: Palgrave Macmillan, 2008.
  • Haworth-Booth, Mark. Introduction. Shadow of Light: Photographs by Bill Brandt, 15–24. DaCapo Press: New York, 1977.
  • Helyer, Ruth. “DeLillo and Masculinity.” In The Cambridge Companion to Don DeLillo, edited by John N. Duvall, 125–36. New York: Cambridge University Press, 2008.
  • Hendin, Josephine Gattuso. “Underworld, Ethnicity, and Found Object Art: Reason and Revelation.” In Don DeLillo: Mao II, Underworld, Falling Man, edited by Stacey Olster, 99–115. New York: Continuum, 2011.
  • Kauffmann, Linda S. “Bodies in Rest and Motion in Falling Man.” In Don DeLillo: Mao II, Underworld, Falling Man, edited by Stacey Olster, 135–51. New York: Continuum, 2011.
  • ———. “The Wake of Terror: Don DeLillo’s ‘In the Ruins of the Future,’ ‘Baader-Meinhof,’ and Falling Man.” In Terrorism, Media and the Ethics of Fiction: Transatlantic Perspectives on Don DeLillo, edited by Peter Schneck and Phillipp Schweighauser, 19–39. New York: Continuum, 2010.
  • Page 139 →Keener, John F. “Conspiratorial Identity: Biography, Fiction and the Oswald Enigma.” In Biography and the Postmodern Historical Novel, 67–108. Lewiston: Edwin Mellen Press, 2001.
  • Knight, Peter. “DeLillo, Postmodernism, Postmodernity.” In The Cambridge Companion to Don DeLillo, edited by John N. Duvall, 27–40. New York: Cambridge University Press, 2008.
  • ———. “Mao II and the New World Order,” In Don DeLillo: Mao II, Underworld, Falling Man, edited by Stacey Olster, 34–48. New York: Continuum, 2011.
  • Kuehl, John. Alternate Worlds: A Study of Postmodern Antirealistic American Fiction. New York: New York University Press, 1989.
  • Lentricchia, Frank. “The American Writer as Bad Citizen.” In Introducing Don DeLillo, edited by Frank Lentricchia, 1–6. Durham, N.C.: Duke University Press, 1991.
  • ———. “Libra as Postmodern Critique.” In Introducing Don DeLillo, edited by Frank Lentricchia, 193–215. Durham, N.C.: Duke University Press, 1991.
  • McClure, John. “Postmodern Romance: Don DeLillo and the Age of Conspiracy.” In Introducing Don DeLillo, edited by Frank Lentricchia, 99–116. Durham, N.C.: Duke University Press, 1991.
  • ———. “DeLillo and Mystery.” In The Cambridge Companion to Don DeLillo, edited by John N. Duvall, 166–78. New York: Cambridge University Press, 2008.
  • Mottram, Eric. “The Real Needs of Man: Don DeLillo’s Novels.” In The New American Writing: Essays on American Literature Since 1970, edited by Graham Clarke, 51–98. New York: St. Martin’s Press, 1990.
  • Mullen, Bill. “No There There: Cultural Criticism as Lost Object in Don DeLillo’s Players and Running Dog.” In Powerless Fictions? Ethics, Cultural Critique, and American Fiction in the Age of Postmodernism, edited by Ricardo Miguel Alfonso, 113–40. Atlanta: Editions Rodopi B.V., 1996.
  • Nel, Philip. “DeLillo and Modernism.” In The Cambridge Companion to Don DeLillo, edited by John N. Duvall, 13–26. New York: Cambridge University Press, 2008.
  • Olster, Stacey. “White Noise.” In The Cambridge Companion to Don DeLillo, edited by John N. Duvall, 79–93. New York: Cambridge University Press, 2008.
  • Osteen, Mark. “DeLillo’s Dedalian Artists.” In The Cambridge Companion to Don DeLillo, edited by John N. Duvall, 137–50. New York: Cambridge University Press, 2008.
  • Pöhlmann, Sascha. “Collapsing Identities: The Representation and Imagination of the Terrorist in Falling Man.” In Terrorism, Media, and the Ethics of Fiction: Transatlantic Perspectives on Don DeLillo, edited by Peter Schneck and Phillipp Schweighauser, 51–66. New York: Continuum, 2010.
  • Rowe, John Carlos. “Global Horizons in Falling Man.” In Don DeLillo: Mao II, Underworld, Falling Man, edited by Stacey Olster, 121–34. New York: Continuum, 2011.
  • Ruppersburg, Hugh, and Tim Engles. Introduction. Critical Essays on Don DeLillo, edited by Hugh Ruppersburg and Tim Engles, 1–27. New York: G. K. Hall, 2000.
  • Salván, Paula Martín. “Terror, Asceticism, and Epigrammatic Writing in Don DeLillo’s Fiction.” In Terrorism, Media and the Ethics of Fiction: Transatlantic Perspectives on Don DeLillo, edited by Peter Schneck and Phillipp Schweighauser, 145–57. New York: Continuum, 2010.
  • Page 140 →Simmons, Phillip. “Don DeLillo’s Invisible Histories.” In Deep Surfaces: Mass Culture and History in Postmodern American Fiction, 41–82. Athens: University of Georgia Press, 1997.
  • Steiner, Wendy. “The End of Traditionalism.” In The Cambridge History of American Literature: Prose Writing (1940–1990), edited by Sacvan Bercovitch, 479–98. Cambridge, U.K.: Cambridge University Press, 1994.
  • Tabbi, Joseph. “From the Sublime to the Beautiful to the Political: Don DeLillo at Midcareer.” In Postmodern Sublime: Technology and American Writing from Mailer to Cyberpunk, 169–207. Ithaca: Cornell University Press, 1995.
  • Tanner, Tony. “Don DeLillo and ‘the American Mystery’: Underworld.” In The American Mystery: American Literature from Emerson to DeLillo, 201–21. New York: Cambridge University Press, 2000.
  • Wagner-Martin, Linda. “The Twenty-First Century.” In A History of American Literature, 1950–Present, Wiley-Blackwell Histories of American Literature, edited by Alfred Bendixen and Richard Gray, 277–352. Malden, Mass.: Wiley-Blackwell, 2013.
  • Will, George F. “Shallow Look at the Mind of an Assassin.” In Critical Essays on Don DeLillo, edited by Hugh Ruppersburg and Tim Engles, 56–57. New York: G. K. Hall, 2000.

Articles

  • Arac, Jonathan. “Violence and the Human Voice: Critique and Hope in Native Speaker,” boundary 2 36.2 (2009): 55–66.
  • Baelo-Allué, Sonia. “9/11 and the Psychic Trauma Novel: Don DeLillo’s Falling Man.” ATLANTIS: Journal of the Spanish Association of Anglo-American Studies 34.1 (2012): 63–79.
  • Barrett, Laura. “Here but Also There: Subjectivity and Postmodern Space in Mao II.” Modern Fiction Studies 45.3 (1999): 788–810.
  • Basu, Biman. “Reading the Techno-Ethnic Other in Don DeLillo’s White Noise.” Arizona Quarterly: A Journal of American Literature, Culture, and Theory 61.2 (2005): 87–111.
  • Cowart, David. “For Whom the Bell Tolls: Don DeLillo’s Americana.” Contemporary Literature 37.4 (1996): 602–19.
  • Deardorff, Donald L. “Dancing in the End Zone: Don DeLillo, Men’s Studies, and the Quest for Linguistic Healing.” Journal of Men’s Studies 8.1 (1999): 73–82.
  • Dore, Florence. “The Rock Novel and Jonathan Lethem’s Fortress of Solitude.” Nonsite.org, no. 8 (January 20, 2013). Accessed March 15, 2013. http://nonsite.org/article/the-rock-novel-and-jonathan-lethems-the-fortress-of-solitude.
  • Duvall, John N. “The (Super) Marketplace of Images: Television as Unmediated Mediation in DeLillo’s White Noise.” Arizona Quarterly 3 (1994): 127–53.
  • Gardner, Ralph Jr. “Writing That Can Strengthen the Fraying Threads of Memory.” New York Times, January 30, 1997, C1.
  • Hungerford, Amy. “Don DeLillo’s Latin Mass.” Contemporary Literature 47.1 (2006): 343–80.
  • Kauffman, Linda. “The Wake of Terror: Don Delillo’s ‘In The Ruins of The Future,’ ‘Baader-Meinhof,’ and Falling Man.” Modern Fiction Studies 54.2 (2008): 353–77.
  • ———. “World Trauma Center.” American Literary History 21.3 (2009): 647–59.
  • Karnicky, Jeffrey. “Avian Consciousness in Don DeLillo’s The Body Artist.” Page 141 →Anthrozoos: A Multidisciplinary Journal of the Interactions of People and Animals 22: 1 (2009): 5–18.
  • Kunkel, Benjamin. “Dangerous Characters,” New York Times Book Review, September 11, 2005.
  • Laist, Randy. “Apocalyptic Nostalgia in the Prologue of Don DeLillos Underworld.” University of Edinburgh Postgraduate Journal of Culture and the Arts (2010). Accessed December 10, 2012. http://www.forumjournal.org/site/issue/05/randy-laist.
  • Landon, Richard. “Sport Fiction and the Untellable: Cliché and Language in Don DeLillo’s End Zone.” Aethlon 23.1 (2005): 71–80. Accessed March 10, 2013. http://www.la84foundation.org/SportsLibrary/Aethlon/2005/AethlonXXIII1/aethlonXXIIIr.pdf/
  • LeClair, Thomas. “Deconstructing the Logos: Don DeLillo’s End Zone.” Modern Fiction Studies 33.1 (1987): 105–22.
  • Maltby, Paul. “The Romantic Metaphysics of Don DeLillo.” Contemporary Literature 37.1 (1996): 258–77.
  • Mauro, Aaron. “The Languishing of the Falling Man: Don DeLillo and Jonathan Safran Foer’s Photographic History of 9/11.” Modern Fiction Studies 57.3 (2011): 584–606.
  • McClure, John. “Postmodern/Post-secular: Contemporary Fiction and Spirituality.” Modern Fiction Studies 41 (1995): 141–63.
  • Moran, Joe. “Don DeLillo and the Myth of the Author-Recluse.” Journal of American Studies 34.1 (April 2000): 137–52.
  • Osteen, Mark. “Becoming Incorporated: Spectacular Authorship and DeLillo’s Mao II.” Modern Fiction Studies 45.3 (1999): 643–74.
  • Packer, Matthew J. “‘At the Dead Center of Things’ in Don DeLillo’s White Noise: Mimesis, Violence, and Religious Awe.” Modern Fiction Studies 51 (2005): 648–66.
  • Rowe, John Carlos. “Mao II and the War on Terror.” South Atlantic Quarterly 103 (2004): 21–34.
  • Steiner, Wendy. “Look Who’s Modern Now.” New York Times Book Review, October 10, 1999.
  • Thomas, Glen. “History, Biography and Narrative in DeLillo’s Libra.” Twentieth Century Literature 43.1 (1997): 107–24.
  • Trussler, Michael. “Suspended Narratives: The Short Story and Temporality.” Studies in Short Fiction 33 (1996): 557–77.

Reviews

  • Algren, Nelson. “A Waugh in Shoulder Padding.” Review of End Zone by Don DeLillo. In Critical Essays on Don DeLillo, edited by Hugh Ruppersburg and Tim Engles, 34–36. New York: G. K. Hall, 2000.
  • Bonca, Cornel. “Contact with the Real.” Review of David Cronenberg’s Film Adaptation of Don DeLillo’s Cosmopolis. Los Angeles Review of Books. September 12, 2012.
  • Denby, David. “Creep Shows.” Review of David Cronenberg’s Film Adaptation of Don DeLillo’s Cosmopolis. New Yorker, August 27, 2012. Accessed February 27, 2014. http://www.newyorker.com/arts/critics/cinema/2012/08/27/120827crci_cinema_denby.
  • Echlin, Kim. “Baseball and the Cold War.” Ottawa Citizen, December 28, 1997, E5.
  • Kakutani, Michiko. “A Man, a Woman, and a Day of Terror.” Review of Falling Man Page 142 →by Don DeLillo. New York Times, May 9, 2007. Accessed February 25, 2014. http://www.nytimes.com/2007/05/09/books/09kaku.html?pagewanted=all&_r=0.
  • Lehmann-Haupt, Christopher. “A Touchdown for Don DeLillo.” Review of End Zone by Don DeLillo. New York Times, March 22, 1972. Accessed September 20, 2012. http://www.nytimes.com/books/97/03/16/lifetimes/del-r-endzone.html.
  • Oates, Joyce Carol. “Young Man at the Brink of Self-Destruction.” Review of Americana by Don DeLillo. Detroit News, June 27, 1971: 5-E.
  • O’Hagan, Andrew. “Don DeLillo Gets under America’s Skin.” Review of Underworld by Don DeLillo. Voice Literary Supplement, Fall 1997.
  • Verso, Tom. “Don DeLillo Comes Home: ‘Game 6’ and ‘Underworld.’” i-Italy Magazine 7, April 2008. Accessed April 25, 2013. http://www.i-italy.org/1588/don-delillo-comes-home-game-6-and-underworld.
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