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Understanding Don DeLillo: Series Editor’s Preface

Understanding Don DeLillo
Series Editor’s Preface
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Notes

table of contents
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Contents
  5. Series Editor’s Preface
  6. Preface
  7. Acknowledgments
  8. Chapter 1: Understanding Don DeLillo
  9. Chapter 2: Jargon and Genre: Americana, End Zone, and Great Jones Street
  10. Chapter 3: Opacity and Transparency: White Noise and Mao II
  11. Chapter 4: Artists and Prophets: The Body Artist, Cosmopolis, and Falling Man
  12. Chapter 5: With, to, and against the Novel: The Short Stories
  13. Notes
  14. Bibliography
  15. Index
  16. About the Author

Page vii →Series Editor’s Preface

The Understanding Contemporary American Literature series was founded by the estimable Matthew J. Bruccoli (1931–2008), who envisioned these volumes as guides or companions for students as well as good nonacademic readers, a legacy that will continue as new volumes are developed to fill in gaps among the nearly one hundred series volumes published to date and to embrace a host of new writers only now making their marks on our literature.

As Professor Bruccoli explained in his preface to the volumes he edited, because much influential contemporary literature makes special demands, “the word understanding in the titles was chosen deliberately. Many willing readers lack an adequate understanding of how contemporary literature works; that is, of what the author is attempting to express and the means by which it is conveyed.” Aimed at fostering this understanding of good literature and good writers, the criticism and analysis in the series provide instruction in how to read certain contemporary writers—explicating their material, language, structures, themes, and perspectives—and facilitate a more profitable experience of the works under discussion.

In the twenty-first century Professor Bruccoli’s prescience gives us an avenue to publish expert critiques of significant contemporary American writing. The series continues to map the literary landscape and to provide both instruction and enjoyment. Future volumes will seek to introduce new voices alongside canonized favorites, to chronicle the changing literature of our times, and to remain, as Professor Bruccoli conceived, contemporary in the best sense of the word.

Linda Wagner-Martin, Series Editor Page viii →

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