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Southern Shepherds, Savage Wolves: Presbyterian Domestic Missionaries and Race in South Carolina, 1802–1874: Copyright Page

Southern Shepherds, Savage Wolves: Presbyterian Domestic Missionaries and Race in South Carolina, 1802–1874
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table of contents
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Contents
  6. Introduction Southern Religion and Domestic Missions to Enslaved Persons
  7. Chapter 1. “A Black Swan in the Flock”: Race and Enslavement in Rocky Creek, South Carolina, 1801–2
  8. Chapter 2. “The Father of Native American Missions in Western South Carolina”: T. C. Stuart and the Chickasaw Mission in Western South Carolina before Removal, 1819–34
  9. Chapter 3. “To and Fro Like a Forest in a Storm”: Antebellum Missionary Activity in the Lowcountry of South Carolina, 1829–47
  10. Chapter 4. “We Are Marching to Zion”: Antebellum Missionaries in Charleston, South Carolina, 1847–60
  11. Chapter 5. “Still in Its Bud in Our Every Heart”: Postbellum Multiethnic Worship in Charleston, South Carolina, 1865–74
  12. Chapter 6. “The Evils Which Now Oppress Us”: Southern Civil Religion and the Lost Cause
  13. Acknowledgments
  14. Notes
  15. Bibliography
  16. Index

Page iv →© 2025 University of South Carolina

The text of this book is licensed under a Creative Commons Attribution Non-Commercial No Derivatives 4.0 International (CC BY-NC-ND 4.0) license: https://creativecommons.org/licenses/by-nc-nd/4.0/.

Published by the University of South Carolina Press

Columbia, South Carolina 29208

uscpress.com

Library of Congress Cataloging-in-Publication Data can be found at https://lccn.loc.gov/2025017293

ISBN: 978-1-64336-614-2 (hardcover)

ISBN: 978-1-64336-637-1 (paperback)

ISBN: 978-1-64336-638-8 (ebook)

DOI: https://doi.org/10.61162/9781643366388

The publication of this book, as well as its inclusion in the Open Carolina collection, received generous funding support from The Division of Research and the Clemson Libraries at Clemson University.

The Open Carolina collection is made possible by the generous funding of the University of South Carolina Libraries.

Cover art: engraving of Christ as the Good Shepherd, circa sixteenth century

Cover designer: Daniel Benneworth-Gray

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