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Understanding Don DeLillo: Acknowledgments

Understanding Don DeLillo
Acknowledgments
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Notes

table of contents
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Contents
  5. Series Editor’s Preface
  6. Preface
  7. Acknowledgments
  8. Chapter 1: Understanding Don DeLillo
  9. Chapter 2: Jargon and Genre: Americana, End Zone, and Great Jones Street
  10. Chapter 3: Opacity and Transparency: White Noise and Mao II
  11. Chapter 4: Artists and Prophets: The Body Artist, Cosmopolis, and Falling Man
  12. Chapter 5: With, to, and against the Novel: The Short Stories
  13. Notes
  14. Bibliography
  15. Index
  16. About the Author

Page xvii →Acknowledgments

I am grateful to Linda Wagner-Martin for offering the opportunity to write this volume. Jim Denton, Linda Fogle, Patricia Callahan, Bill Adams, and the staff of the University of South Carolina Press provided exemplary editorial advice. I thank them for their work in cultivating and completing the project. Rosemary Morrow of Redux Pictures was resourceful and patient in finding and arranging the use of the cover photograph, and I am grateful to her for her work. I owe particular thanks to Professor Daniel Bronson of Montclair State University for introducing me to the writings of Don DeLillo many years ago. I thank Fan Xiaomei for bringing the translated Chinese editions of DeLillo’s novels to my attention. Friends, students, and colleagues who were gracious in offering perspective and dialogue for which I owe thanks include Bradley Fest, Doreen Michleski, Jennifer Larson, Richard Purcell, Thomas Reinert, Christopher McKenna, Florence Dore, and Scott Dill. To my parents, Pia and Dino, and my children, Leo and Josie, I am forever thankful. Page xviii →

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