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Textual Curation: Authorship, Agency, and Technology in Wikipedia and Chambers’s Cyclopædia: Series Editor’s Preface

Textual Curation: Authorship, Agency, and Technology in Wikipedia and Chambers’s Cyclopædia
Series Editor’s Preface
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table of contents
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Contents
  6. List of Illustrations
  7. Series Editor’s Preface
  8. Acknowledgments
  9. Note on Styles and Conventions
  10. Introduction
    1. Curation
    2. Artifacts
  11. Chapter 1: Distributed Curatorial Practices
    1. Textual Curation and Authorship
    2. Curatorial Authorship
    3. Curation and Invisibility
    4. Rhetorical Agency and Collectives
  12. Chapter 2: Crowdfunding Curation
    1. Networks of Material Support: The Cyclopædia
      1. The Publishers
      2. The Subscribers
    2. Networks of Material Support: Wikipedia
  13. Chapter 3: Metaphors of Curation
    1. Early Modern Metaphors for Intellectual Property Ownership
    2. The Daw and the Honeybee
    3. The Bees in Chambers’ Library
    4. Honeybees and Transformative Authorship
    5. Bees as an Economic Good
    6. Bees and the Ethos of Scientific Enlightenment
    7. Bees and Distributed Labor
    8. The Hive as Commonwealth
    9. The Swarm
  14. Chapter 4: Content Contributors, Vandals, and the Ontology of Curation
    1. Content Contributors to the Cyclopædia
    2. Wikipedia: Content Contributors
    3. Managing Content Contributions
    4. Managing Scope: Deletionism and Inclusionism
    5. Eventualism, Immediatism, and the Compositional Life of Articles
    6. Vandalism
  15. Chapter 5: Production Collectives: Page and Screen
    1. Printed Page as Interface
    2. Dreams of Mechanization
    3. Wikipedian Interfaces, Development, and Curation
  16. Chapter 6: Automated Curation
    1. Historical Context
    2. Bots in Wikipedia
    3. Automated Agency
    4. Identity and Attributed Agency
    5. Bots at Work
  17. Conclusion
  18. Appendix
  19. Notes
  20. Bibliography
  21. Index

Page xi →Series Editor’s Preface

We are informed, should we happen to inquire in a search at the open online reference Wikipedia, that in 1728 Ephraim Chambers published his Cyclopedia: or, an Universal Dictionary of Arts and Sciences. Wikipedia was founded in 2001, almost three hundred years after the first publication of Chambers’s Cyclopedia, and it might well be thought that everything had changed, and yet, as Krista Kennedy tells us, there are intriguing similarities in the two enterprises. We can look up the Cyclopedia in Wikipedia; Kennedy shows us that we can also find Wikipedia in Chambers’s Cyclopedia.

In Textual Curation, Kennedy explores how the two encyclopedia projects were conceived, composed, and curated. In her meticulous and wide-ranging historical and critical study of the rhetoric and technology of authorship, composition, and curation, Kennedy, whose account is based on deep archival research, an extensive theoretical grasp, and close analysis of historical and cultural understandings driving both projects, gives us new ways of thinking about the encyclopedic project and about authorship itself. This volume is full of fresh insights, critical re-imaginings, and new integrations of a range of scholarly conversations. Every one of us who has ever used Wikipedia, or advised a student how to use (or how not to use) it, will find in Textual Curation an illuminating reading experience.

Thomas W. Benson Page xii →

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