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Unvarnishing Reality: Subversive Russian and American Cold War Satire: Bibliography

Unvarnishing Reality: Subversive Russian and American Cold War Satire
Bibliography
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table of contents
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Contents
  5. Introduction
    1. A Working Definition of Russian Literature
    2. Note on Translations, Quoted Materials, and Titles
  6. 1: The Role of Literature during the Cold War
    1. The Historical and Cultural Context of the Cold War
    2. “When night seems thickest and the earth itself an intricate absurdity”: Literature as a Reaffirmation of Life in an Increasingly Dangerous World
    3. A Brief History (and Working Definition) of Subversive Satire
    4. Cold War Satire: Genre, Subgenre, Mode, All of the Above, or None?
  7. 2: The Intersection of Literature and Politics during the Cold War
    1. The Landscape of the Cold War’s “City of Words”
    2. Fictionality and the Ultimate Purpose of Subversive Satire
    3. The Cognitive Conception of the Cold War
    4. Sites and Sources of Linguistic Deformation
    5. Civil Defense: A Manhattan Project for Subversive Satirists
  8. 3: “The Bind of the Digital” and Other Oversimplified Logic
    1. “Bad shit, to be avoided”: The Pathology of Cold War Dichotomies in the United States
    2. “But you’re one of ours, aren’t you?”: Russian Subversions of Binary Logic
    3. “Backwards fly, my locomotive!”: Two Moralistic Subversions of Cold War Logic
  9. 4: Cold War Critiques of Utopia
    1. Series and Systems: The Chronic Nature of Cold War Dystopia
    2. The Cultural Context of Cold War Utopianism
    3. “It’s much more difficult to convince one individual of an idiotic idea than an entire people”: Undoing the Damage of Utopianism
  10. 5: Totalized Distortions and Fabrications
    1. “Is It O.K. to Be a Luddite?”: Technology, Dehumanization, and Resistance
    2. “Peace Is Our Profession”: Science, Industry, and the Military Working Together
    3. “Poetry is the art of subordinating facts to the imagination”: Cold War Pathology in the United States
    4. “When life and Socialist Realist art converge”: Questioning the Story of Soviet History
  11. Epilogue: There Is Still Time
  12. Appendix: Time Line of Events and Publications
  13. Notes
  14. Bibliography
  15. Index
  16. About the Author

Page 231 →Bibliography

Primary Texts

  • Adams, Henry. The Education of Henry Adams. 1919. Boston: Houghton Mifflin, 1961.
  • Aitmatov, Chingiz. The Day Lasts More Than a Hundred Years. Translated by F. J. French. Bloomington: Indiana University Press, 1983.
  • Aksyonov, Vassily. The Burn. Translated by Michael Glenny. New York: Random House, 1984.
  • ———. The Island of Crimea. Translated by Michael Henry Heim. New York: Random House, 1983.
  • ———. The New Sweet Style. Translated by Christopher Morris. New York: Random House, 1999.
  • ———. Ostrov Krym. Ann Arbor, Mich.: Ardis, 1981.
  • ———. Our Golden Ironburg: A Novel with Formulas. Translated by Ronald E. Peterson. Ann Arbor, Mich.: Ardis, 1989.
  • ———. Say Cheese! Translated by Antonina W. Bouis. New York: Random House, 1989.
  • ———. The Steel Bird and Other Stories. Ann Arbor, Mich.: Ardis, 1979.
  • ———. “Who’s Braver—the Cosmonaut or the Dissident?” In Andrei Sakharov and Peace, edited by Edward D. Lozansky, 141–44. New York: Avon, 1985.
  • ———. Zolotaia nasha zhelezka: Roman’s formulami. Ann Arbor, Mich.: Ardis, 1980.
  • Aksyonov, Vassily, Viktor Yerofeyev, Fazil Iskander, Andrei Bitov, and Yevgeny Popov, eds. Metropol: A Literary Almanac. New York: Norton, 1982.
  • Aleshkovsky, Yuz. The Hand, or, The Confession of an Executioner. Translated by Susan Brownsberger. New York: Farrar, Straus and Giroux, 1990.
  • ———. Kangaroo. Translated by Tamara Glenny. New York: Farrar, Straus and Giroux, 1986.
  • ———. Kenguru. Ann Arbor, Mich.: Ardis, 1981.
  • ———. Ruka: (povestvovanie palacha). New York: Russica, 1980.
  • Barth, John. Giles Goat-Boy. New York: Doubleday, 1966.
  • ———. “The Literature of Exhaustion.” Atlantic Monthly, August 1967, 29–34.
  • Barthelme, Donald. The King. Harper and Row, 1990.
  • ———. Snow White. 1967. New York: Atheneum, 1972.
  • ———. Unspeakable Practices, Unnatural Acts. New York: Farrar, Straus, 1968.
  • Bulgakov, Mikhail. The Diaboliad and Other Stories. Translated by Carl R. Proffer. Bloomington: Indiana University Press, 1972.
  • Page 232 →———. The Heart of a Dog. Translated by Michael Glenny. New York: Harcourt, Brace and Wolff, 1968.
  • Bulychev, Kirill. Half a Life. Translated by Helen Saltz Jacobson. New York: Macmillan, 1977.
  • Burdick, Eugene, and Harvey Wheeler. Fail-Safe. New York: McGraw-Hill, 1962.
  • Cabell, James Branch. Jurgen: A Comedy of Justice. New York: McBride, 1919.
  • Chakovsky, Alexander. Pobeda: Politicheskii roman. Moscow: Izvestiia, 1985.
  • Condon, Richard. The Manchurian Candidate. New York: McGraw-Hill, 1959.
  • Coover, Robert. The Origin of the Brunists. New York: Putnam, 1966.
  • ———. The Public Burning. New York: Viking, 1977.
  • DeLillo, Don. 1971. End Zone. New York: Penguin, 1986.
  • ———. Underworld. New York: Scribner, 1997.
  • ———. White Noise. 1985. New York: Penguin, 1999.
  • Dovlatov, Sergei. The Compromise. Translated by Anne Frydman. Chicago: Academy Chicago, 1990.
  • ———. The Invisible Book (Epilogue). Translated by Katherine O’Connor and Diana L. Burgin. Ann Arbor, Mich.: Ardis, 1979.
  • ———. Kompromiss. New York: Serebrianyi Vek, 1981.
  • ———. Nevidimaia kniga. Ann Arbor, Mich.: Ardis, 1978.
  • ———. Ours. Translated by Anne Frydman. New York: Weidenfeld and Nicolson, 1989.
  • Eliot, T. S. Collected Poems, 1909–1962. New York: Harcourt, Brace, 1991.
  • Frank, Pat. Alas, Babylon. 1959. New York: HarperCollins, 2005.
  • Gogol, Nikolai. Tchitchikoff’s Journeys; or Dead Souls. Translated by Isabel Hapgood. New York: Thomas Y. Crowell, 1886.
  • Granin, Daniil. Into the Storm. Translated by Robert Daglish. Moscow: Progress, 1965.
  • ———. Those Who Seek. Translated by Robert Daglish. Moscow: Foreign Languages Publishing House, 1955.
  • Hašek, Jaroslav. The Good Soldier Schweik. Translated by Paul Selver. Garden City, N.Y.: Doubleday, Doran, 1930.
  • Heller, Joseph. Catch-22. New York: Simon and Schuster, 1961.
  • ———. Closing Time. New York: Simon and Schuster, 1994.
  • Hoban, Russell. Riddley Walker. New York: Summit, 1980.
  • Huxley, Aldous. Brave New World. 1932. New York: Harper and Brothers, 1946.
  • Il’f, Ilya, and Evgeny Petrov. The Twelve Chairs. Translated by John H. C. Richardson. 1966. Evanston, Ill.: Northwestern University Press, 1997.
  • Iskander, Fazil. The Goatibex Constellation. Translated by Helen Burlingame. Ann Arbor, Mich.: Ardis, 1975.
  • ———. “Kroliki i udavy.” In Stoianka cheloveka: Povesti I rasskazy, 439–580. Moscow: Kvadrat, 1995.
  • ———. Rabbits and Boa Constrictors. Translated by Ronald E. Peterson. Ann Arbor, Mich.: Ardis, 1989.
  • Kataev, Valentin. The Embezzlers. Translated by Charles Rougle. Ann Arbor, Mich.: Ardis, 1975.
  • Kharitonov, Mark. Lines of Fate. Translated by Helena Goscilo. New York: New Press, 1996.
  • Kochetov, Vsevolod. Sekretar’ obkoma. Moscow: Molodaia gvardiia, 1962.
  • Page 233 →Kozhevnikov, Vadim. Znakom’tes,’ Baluev. 1960. Moscow: Vysshaia Shkola, 1988.
  • Kramer, Stanley, dir. On the Beach. Perf. Gregory Peck, Ava Gardner, Fred Astaire, Anthony Perkins. United Artists. 1959.
  • Kubrick, Stanley, dir. Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb. Perf. Peter Sellers, George C. Scott, Sterling Hayden, Slim Pickens. Columbia Pictures Corporation, 1964.
  • le Carré, John. The Secret Pilgrim. New York: Knopf, 1990.
  • Lewis, Sinclair. Babbitt. 1922. New York: New American Library, 1961.
  • ———. It Can’t Happen Here. Garden City, N.Y.: Doubleday, Doran, 1935.
  • Makanin, Vladimir. Escape Hatch and The Long Road Ahead. Translated by Mary Ann Szporluk. Dana Point, Calif.: Ardis, 1996.
  • Mayakovsky, Vladimir. The Complete Plays of Vladimir Mayakovsky. Translated by Guy Daniels. New York: Washington Square Press, 1968.
  • Miller, Walter M., Jr. A Canticle for Leibowitz. 1959. New York: Bantam Books, 1961.
  • Millet, Lydia. Oh Pure and Radiant Heart. 2005. Orlando, Fla.: Harcourt, 2006.
  • O’Brien, Tim. The Nuclear Age. New York: Knopf, 1985.
  • Olesha, Yuri. Envy. Translated by T. S. Berczynski. Ann Arbor, Mich.: Ardis, 1975.
  • Orwell, George. Nineteen Eighty-Four. New York: Harcourt, Brace, 1949.
  • Pelevin, Viktor. Buddha’s Little Finger. Translated by Andrew Bromfield. New York: Viking, 2000.
  • ———. The Life of Insects. Translated by Andrew Bromfield. New York: Farrar, Straus and Giroux, 1998.
  • ———. Omon Ra. Translated by Andrew Bromfield. New York: Farrar, Straus and Giroux, 1996.
  • Percy, Walker. Love in the Ruins: The Adventures of a Bad Catholic at a Time Near the End of the World. New York: Farrar, Straus and Giroux, 1971.
  • Pynchon, Thomas. Against the Day. New York: Penguin, 2006.
  • ———. The Crying of Lot 49. Philadelphia: Lippincott, 1966.
  • ———. Gravity’s Rainbow. 1973. New York: Penguin, 1987.
  • ———. “Is It O.K. to Be a Luddite?” New York Times Book Review, October 28, 1984, 1, 40–41.
  • ———. Mason & Dixon. New York: Henry Holt, 1997.
  • ———. Slow Learner. Boston: Little, Brown, 1984.
  • ———. V. 1963. New York: Modern Library, 1966.
  • ———. Vineland. Boston: Little, Brown, 1990.
  • Reed, Ishmael. The Free-lance Pallbearers. 1966. London: Allison and Busby, 1990.
  • ———. Mumbo Jumbo. 1972. New York: Atheneum, 1988.
  • Roshwald, Mordecai. Level 7. London: Allison and Busby, 1959.
  • Roth, Philip. I Married a Communist. Boston: Houghton Mifflin, 1998.
  • “Shelter, The.” The Twilight Zone. Directed by Lamont Johnson, September 29, 1961.
  • Shute, Nevil. On the Beach. New York: William Morrow, 1957.
  • Silko, Leslie Marmon. Ceremony. 1977. New York: Penguin, 2006.
  • Sokolov, Sasha. Astrophobia. Translated by Michael Henry Heim. New York: Grove Weidenfeld, 1989.
  • ———. Palisandriia. Ann Arbor, Mich.: Ardis, 1984.
  • Solzhenitsyn, Alexander. The First Circle. Translated by Thomas P. Whitney. New York: Harper and Row, 1968.
  • Page 234 →———. The Gulag Archipelago, 1918–1956: An Experiment in Literary Investigation. Translated by Thomas P. Whitney and H. T. Willetts. London: Collins-Harvill, 1974–78.
  • ———. One Day in the Life of Ivan Denisovich. Translated by Ralph Parker. New York: Dutton, 1963.
  • Sorokin, Vladimir. Norma. Moscow: Tri Kita / Obscura viti, 1994.
  • Stephenson, Neal. Snow Crash. New York: Bantam, 1992.
  • Strugatsky, Arkady, and Boris Strugatsky. Prisoners of Power. Translated by Helen Saltz Jacobson. New York: Macmillan, 1977.
  • ———. Roadside Picnic / Tale of the Troika. Translated by Antonia W. Bouis. New York: Macmillan, 1977.
  • ———. The Ugly Swans. Translated by Alice Stone Nakhimovsky and Alexander Nakhimovsky. New York: Macmillan, 1979.
  • Szilard, Leo. The Voice of the Dolphins and Other Stories. New York: Simon and Schuster, 1961.
  • Tertz, Abram [Andrei Sinyavsky]. The Makepeace Experiment. Translated by Manya Harari. Evanston, Ill.: Northwestern University Press, 1989.
  • ———. “The Trial Begins” and “On Socialist Realism.” Translated by Max Hayward and George Dennis. Berkeley and Los Angeles: University of California Press, 1960.
  • Vasilenko, Svetlana. Shamara and Other Stories. Translated by Elena V. Prokhorova. Evanston, Ill.: Northwestern University Press, 1999.
  • Vizenor, Gerald. Hiroshima Bugi. Lincoln: University of Nebraska Press, 2003.
  • Voinovich, Vladimir. Antisovietskii sovietskii soiuz. Ann Arbor, Mich.: Ardis, 1985.
  • ———. The Anti-Soviet Soviet Union. Translated by Richard Lourie. San Diego: Harcourt Brace Jovanovich, 1986.
  • ———. In Plain Russian: Stories. Translated by Richard Lourie. New York: Farrar, Straus and Giroux, 1979.
  • ———. The Life and Extraordinary Adventures of Private Ivan Chonkin. Translated by Richard Lourie. New York: Farrar, Straus and Giroux, 1977.
  • ———. Monumental Propaganda. Translated by Andrew Bromfield. New York: Knopf, 2004.
  • ———. Moscow 2042. Translated by Richard Lourie. San Diego, Calif.: Harcourt Brace Jovanovich, 1987.
  • ———. Moskva 2042. Moscow: Vsia Moskva, 1990.
  • ———. Portret na fone mifa. Moscow: Eksmo, 2002.
  • ———. Pretendent na prestol: Novye priklucheniia soldata Ivana Chonkina. Paris: YMCA Press, 1981.
  • ———. Pretender to the Throne: The Further Adventures of Private Ivan Chonkin. Translated by Richard Lourie. New York: Farrar, Straus and Giroux, 1981.
  • ———. Zhizn’ i neobychainye prikliucheniia soldata Ivana Chonkina. Paris: YMCA Press, 1976.
  • Vonnegut, Kurt, Jr. Cat’s Cradle. 1963. New York: Dial, 2006.
  • ———. Player Piano. 1952. New York: Delacorte, 1973.
  • ———. Slaughterhouse-Five, or the Children’s Crusade: A Duty-Dance with Death. New York: Delta, 1969.
  • ———. Timequake. New York: Putnam, 1997.
  • Page 235 →Voznesensky, Andrei. “Beatnik’s Monologue.” In The New Russian Poets: 1953–1968, translated by George Reavey, 202–3. New York: October House, 1968.
  • Watkins, Peter, dir. The War Game. British Broadcasting Corporation, 1965.
  • Zamyatin, Evgeny. We. Translated by Bernard Guilbert Guerney. London: Jonathan Cape, 1970.
  • Zinoviev, Alexander. Gomo Sovietikus. Lausanne: L’Age d’Homme, 1982.
  • ———. Homo Sovieticus. Translated by Charles Janson. Boston: Atlantic Monthly Press, 1985.
  • ———. The Madhouse. Translated by Michael Kirkwood. London: Victor Gollancz, 1986.
  • ———. The Radiant Future. Translated by Gordon Clough. New York: Random House, 1980.
  • ———. Svetloe budushchee. Lausanne: L’Age d’Homme, 1978.
  • ———. The Yawning Heights. Translated by Gordon Clough. New York: Random House, 1979.
  • ———. Ziiaiushchie vysoty. Lausanne: L’Age d’Homme, 1976.

Secondary Texts

  • Aldridge, Alexandra. The Scientific World View in Dystopia. Ann Arbor, Mich.: UMI Research Press, 1984.
  • Avins, Carol. Border Crossings: The West and Russian Identity in Soviet Literature, 1917–1934. Berkeley and Los Angeles: University of California Press, 1983.
  • Babenko, Vickie. “Fazil Iskander: An Examination of His Satire.” Russian Language Journal 30, no. 106 (1976): 131–42.
  • Baccolini, Rafaella and Tom Moylan, eds. Dark Horizons: Science Fiction and the Dystopian Imagination. London: Routledge, 2003.
  • Bartter, Martha A. The Way to Ground Zero: The Atomic Bomb in American Science Fiction. New York: Greenwood Press, 1988.
  • Bethea, David. The Shape of Apocalypse in Modern Russian Fiction. Princeton, N.J.: Princeton University Press, 1989.
  • Booker, M. Keith. The Dystopian Impulse in Modern Literature: Fiction as Social Criticism. Westport, Conn.: Greenwood Press, 1994.
  • ———. Monsters, Mushroom Clouds, and the Cold War: American Science Fiction and the Roots of Postmodernism, 1946–1964. Westport, Conn.: Greenwood Press, 2001.
  • Booker, M. Keith, and Dubravka Juraga. Bakhtin, Stalin, and Modern Russian Fiction: Carnival, Dialogism, and History. Westport, Conn.: Greenwood Press, 1995.
  • Boyer, Paul. By the Bomb’s Early Light: American Thought and Culture at the Dawn of the Atomic Age. Rev. ed. Chapel Hill: University of North Carolina Press, 1994.
  • ———. Fallout: A Historian Reflects on America’s Half-Century Encounter with Nuclear Weapons. Columbus: Ohio State University Press, 1998.
  • Brands, H. W. The Devil We Knew: Americans and the Cold War. New York: Oxford University Press, 1993.
  • Brians, Paul. Nuclear Holocausts: Atomic War in Fiction, 1895–1984. Kent, Ohio: Kent State University Press, 1987.
  • Brown, Edward J. “Zinoviev, Aleshkovsky, Rabelais, Sorrentino, Possibly Pynchon, Maybe James Joyce, and Certainly Tristram Shandy: A Comparative Study of a Satirical Mode.” Stanford Slavic Studies 1, no. 1 (1987): 307–25.
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  • Campbell, Joseph. The Hero with a Thousand Faces. Princeton, N.J.: Princeton University Press, 1949.
  • Chapple, Richard L. Soviet Satire of the Twenties. Gainesville: University Press of Florida, 1980.
  • Chudo, Alicia [Gary Saul Morson]. And Quiet Flows the Vodka, or, When Pushkin Comes to Shove: The Curmudgeon’s Guide to Russian Literature and Culture, with the Devil’s Dictionary of Received Ideas. Evanston, Ill.: Northwestern University Press, 2000.
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  • ———, eds. Theorizing Satire: Essays in Literary Criticism. New York: St. Martin’s Press, 1995.
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  • ———. “Sasha Sokolov’s Twilight Cosmos: Themes and Motifs.” Slavic Review 45, no. 4 (1986): 639–49.
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  • ———. “On Reading and Writing Holocaust Literature.” Introduction to Art from the Ashes: A Holocaust Anthology, edited by Lawrence L. Langer, 3–10. New York: Oxford University Press, 1995.
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  • Page 239 →Maltby, Paul. Dissident Postmodernists: Barthelme, Coover, Pynchon. Philadelphia: University of Pennsylvania Press, 1991.
  • Marsh, Rosalind J. Soviet Fiction since Stalin: Science, Politics and Literature. London: Croom Helm, 1986.
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